Solomon City runs on secrets, and Jake Bishop has made a profession out of finding the ones people would rather keep buried. Justice, Or Something Like It, the second installment in Doc Blalock’s The Jake Bishop Files, drops its private investigator into a murder that appears almost insultingly simple: an old drunk is discovered with a corpse and the weapon that killed him. The problem is that Bishop knows appearances rarely tell the whole story. What begins as a suspiciously convenient arrest opens into blackmail, organized crime, divided loyalties, and the uncomfortable question at the heart of noir fiction—how far can a man bend his own rules before justice becomes something else entirely?

A private eye with a badge, a bottle, and a little bit of magic…

Justice, Or Something Like It

The Jake Bishop Files Book 2

by Doc Blalock

Noir Paranormal Sleuth Suspense

In Solomon City, everybody keeps secrets. Secrets are Jake Bishop’s job. 

When a harmless old drunk is caught standing over a corpse, murder weapon in hand, the case looks open and shut—but he won’t say why he pulled the trigger. Just that it had to be done. 

Bishop knows better. Digging deeper, he uncovers a blackmail scheme, a shadow war in the Irish underworld, and a threat aimed at the one person his old friend has left to lose—forcing Bishop to bend the law, and his own conscience, to see something like justice done.

The intriguing tension in Justice, Or Something Like It comes from placing a classic private-eye problem inside a world where the supernatural belongs alongside guns, blackmail, and organized crime. The central mystery is not simply who committed the killing—Bishop begins with a suspect standing over the body—but why it happened and what that apparent certainty is hiding. That reversal lets Blalock concentrate on secrets, motive, loyalty, and the moral compromises behind Bishop’s search for answers. 

As the investigation reaches into Solomon City’s Irish underworld, the question shifts from whether Bishop can solve the case to what he is prepared to do once he understands it.

“Secrets. Everyone has them. Some folks keep them for good and noble reasons, others, not so much. All kinds of secrets. Personal, professional, valuable, harmful or embarrassing. People will go to extremes to keep them safe. Some folks have been willing to die for them. Some will kill to protect them. I’m Jake Bishop, private investigator. Secrets are my job.”

Justice, Or Something Like It is aimed squarely at readers who like their paranormal elements served with hard-boiled detective fiction rather than sweeping fantasy. Bishop’s world mixes private investigation, criminal organizations, morally complicated choices, and supernatural abilities, making the series particularly suited to readers who enjoy noir atmosphere with an urban-fantasy edge. Those who prefer mysteries in which uncovering the motive creates a harder ethical problem than identifying the culprit should find Bishop’s latest case especially appealing.

A Damned Dirty Thing

The Jake Bishop Files Book 1

The explosion should have killed him . . . 

Jake Bishop is back on the streets of Solomon City, ten months after a mob bombing destroyed his office and murdered his partner and secretary. But Bishop isn’t just any private detective—he’s a “ditch wizard” able to step through shadow and bend reality to his will. 

When the beautiful and mysterious Portia Vance answers his ad for a new secretary, Bishop thinks his luck might finally be changing. Together, they begin hunting Vito Morelli, the mob boss who ordered the hit that nearly ended Bishop’s life. 

Their investigation leads them through the city’s darkest corners—from strip clubs to shadow banking operations, from corrupt cops to magical wards. But in a world where bullets and spells are equally deadly, and where everyone has secrets worth killing for, Bishop discovers that the line between hunter and hunted is thinner than he thought. 

Some cases require a gun. Others need magic. This one demands both. 

In the shadows of Solomon City, justice comes with a price—and revenge wears a beautiful face. 

A gritty noir fantasy that proves sometimes the most dangerous magic is the human heart.

Christopher “Doc” Blalock is a US Navy veteran Corpsman and retired counselor. He is a prolific fine artist, illustrator, musician, sculptor and writer, cursed with the itch to create. He draws inspiration from sources ranging from JRR Tolkien to Tom Clancy. He additionally draws from his love of classic black-and-white noir films, infusing their moody aesthetic and storytelling into his writing. A helpless coffee addict, he lives in the Atlanta suburbs with his childhood sweetheart and a dog of dubious moral character.

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Jake Bishop occupies the kind of territory where a clean solution would almost feel dishonest. Justice, Or Something Like It begins with a crime that appears solved and then uses everything hidden beneath it to complicate what “solved” should actually mean. Blalock’s combination of noir investigation and paranormal ability gives Bishop unusual tools, but none of them eliminate the harder problem of deciding what justice demands when law, loyalty, and conscience point in different directions. That moral friction, set against the secrets and shadows of Solomon City, gives this second Jake Bishop case its strongest hook.

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A childhood ambition to become a rocket scientist might sound like the beginning of a carefully plotted career, but Ken Kisco’s route to aerospace began somewhere much closer to sea level. In No Straight Lines to the Stars: An Unlikely Journey from Lifeguard Tower to Launchpad, the lessons he learned watching Southern California beaches—preparation, composure, quick judgment, and acting despite fear—become part of a much larger story about entering America’s space and defense programs. Kisco’s path is compelling precisely because it refuses the tidy trajectory its title rejects, connecting lifeguard rescues, engineering, professional setbacks, personal disappointments, and a decades-long determination to keep moving toward a dream first imagined at ten years old.

No Straight Lines to the Stars

An Unlikely Journey from Lifeguard Tower to Launchpad

Narrative Nonfiction / Inspirational

Date Published: August 4th, 2026

Publisher: Acorn Publishing

No Straight Lines to the Stars is the inspiring true story of a young lifeguard who dared to believe his life could reach far beyond the horizon. 

On the beaches of Southern California, Ken Kisco learned that preparation saves lives. From rip-current rescues to split-second emergencies, he discovered that courage is not the absence of fear, but the decision to act in spite of it. Those early lessons in resilience and composure pushed Ken to believe he could accomplish anything . . . including his lifelong dream of reaching the stars. 

Through relentless perseverance and unwavering faith, Ken rose into the heart of America’s most advanced space and defense programs, contributing to human spaceflight initiatives and supporting groundbreaking technologies. His unusual start as a lifeguard helped advance his career, distinguishing him from his Air Force and Navy peers. Yet, his toughest challenges were personal—he faced deep disappointment when a space mission was canceled and learned lessons about trust and integrity from a romance-turned-ruse. 

Ken’s journey reveals that success is rarely linear. Setbacks became launchpads, adversity became refinement, and purpose became a compass. Part memoir, part inspiration, and part behind-the-scenes look at America’s quest for the stars, this is the unforgettable story of a man who proves that bold dreams, combined with grit and heart, can launch an ordinary life into an extraordinary one.

Kisco’s story is built around an unusual connection: the habits that mattered while guarding a beach later followed him into highly technical aerospace work. That gives No Straight Lines to the Stars more to explore than the achievement of a childhood goal. The book looks at what happens between ambition and accomplishment—the preparation before an emergency, the resilience required after a professional disappointment, and the personal judgment shaped by experiences that have nothing to do with engineering credentials. 

Readers also get a behind-the-scenes perspective on a career connected with human spaceflight and advanced defense technologies, but the larger focus remains on the unpredictable route Kisco took to reach that world.

No Straight Lines to the Stars should appeal to readers who enjoy true stories about unconventional careers, especially those interested in aerospace, human spaceflight, engineering, or the people working behind major technological programs. It also has a clear place on the shelf for readers drawn to memoirs about persistence rather than effortless success. Kisco’s progression from Southern California lifeguard to aerospace systems engineer gives career-minded readers a particularly interesting angle, while the canceled mission and other personal setbacks keep the story focused on how a dream changes when real life refuses to follow the expected route.

At ten years old, Ken Kisco dreamed of becoming a rocket scientist, a goal that shaped his life. He earned multiple degrees, including master's degrees from the University of Southern California in systems management and from San Jose State University in industrial psychology. 

As an aerospace systems engineer for NASA, Rockwell International, and Boeing, he developed new technologies and earned recognition as an American Institute of Aeronautics and Astronautics (AIAA) Fellow. 

Ken now shares his passion by mentoring USC engineering students, inspiring them to dream boldly. When not traveling, he and his wife enjoy San Diego's beaches, where they live.

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The title No Straight Lines to the Stars captures more than Kisco’s career path. His story repeatedly returns to the idea that useful preparation can come from unexpected places and that a setback can change the route without ending the destination. The lifeguard tower and the launchpad may appear to belong to entirely different lives, yet Kisco connects them through the decisions, discipline, and resilience he carried from one stage into the next. For readers interested in the human story behind technical achievement, that unlikely continuity may be the most revealing part of his journey.

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Rose and Lily begin with the recognizable rhythms of childhood—school, rainy days, sibling squabbles, and time at home—but their mother soon gives them an unusual assignment: read a story she has written and tell her what they think. In Mum’s Story, Vlora Morina uses that premise to place one tale inside another, moving from the sisters’ everyday world into Alexander’s imaginative adventures. The result connects family storytelling with the creative possibilities children discover when an ordinary moment gives them permission to imagine something much bigger.

Children's Book

Date Published: March 7, 2026

Publisher: Publishing Push

When their mother entrusts them with a special task, the girls are whisked into a world of imagination through the story of Alexander, a boy who discovers friends on magical planets and learns the wonders of creativity, courage, and kindness. From ordinary afternoons to extraordinary adventures, this enchanting story celebrates family, imagination, and the little moments that make growing up magical.

The story-within-a-story structure gives Mum’s Story two different kinds of childhood adventure. Rose and Lily’s experiences are rooted in sibling life and the small incidents of an ordinary day, while the story their mother asks them to read opens the door to Alexander’s much more fantastical world. That contrast gives young readers a tangible example of how storytelling can transform familiar surroundings into a place for invention. It also places the act of reading inside the story itself, making imagination something the characters share rather than simply something that happens to them.

Mum’s Story is a natural match for children who like seeing everyday family life mixed with make-believe, particularly stories involving brothers or sisters, playful disagreements, and imaginative adventures. The relationship between Rose and Lily gives sibling readers something familiar to recognize, while Alexander’s experiences provide the more fantastical side of the book. Families who enjoy reading together may especially appreciate a story in which a mother sharing her own writing with her children becomes part of the adventure.

My name is Vlora, I am an Albanian from Kosovo and work as admin for Whittington Hospital in London. 

My inspiration and idea to write this book comes from my nieces and nephew who I love them dearly.

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At the center of Mum’s Story is a simple but meaningful exchange: a mother has created a story and trusts her children enough to make them its first readers. Morina builds outward from that moment, connecting Rose and Lily’s relationship with Alexander’s imaginative experiences and showing how stories can become part of family life. For children, the adventures offer room for play and fantasy; for families reading alongside them, the book also offers a reminder that creativity can begin with something as ordinary as sitting down together and sharing a story.

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Phillip Anderson begins The Needs of the Heart with problems that can feel overwhelmingly large—war, political corruption, economic hardship, social injustice, and civil unrest—but his focus ultimately turns inward. The question at the center of the book is not simply what is wrong with the world, but what individuals might cultivate within themselves if they hope to improve it. By examining emotions and principles Anderson believes can cross racial, religious, ethnic, and demographic boundaries, the book approaches social change through the more personal work of understanding the human heart.

Self-Help / Philosophy

Date Published: May 30, 2023

༺ ABOUT THE BOOK ༻

 

Living in this world is hard, no matter the point in history or the dominant culture which governs how society conducts itself.

 

Wars, famine, political corruption, economic depression, social injustice, civil unrest, all of which leads to the spiritual, personal unrest of the human soul. 

 

And it makes us wonder... How do I, as a person, and we as human beings, work together individually yet collectively to make the world a better place for those who live here today and for those who will be born into this world tomorrow? 

 

Aspiring author Phillip Anderson, author of The Needs of the Heart, provides deep insight into the human emotional spectrum as well as giving deep introspective insight into the emotions and principles he believes people of all races, religions, ethnicities, and demographic backgrounds need to not only make themselves better people, but the world a better place.

༺ WHY READ THIS BOOK ༻

 

The questions raised in The Needs of the Heart operate on two levels at once. Anderson looks outward at persistent problems within society while asking readers to consider what happens internally when people live amid conflict, injustice, instability, and division. Rather than separating the condition of society from the condition of the individual, his premise connects the two.

 

That connection gives the book a philosophical dimension beyond personal improvement alone. Anderson is interested in the emotional spectrum and in principles he believes people can share despite differences in race, religion, ethnicity, or demographic background. The resulting question is a demanding one: if people want a better world for themselves and for generations that follow, what responsibilities begin with the way they understand and develop themselves?

 

༺ WHO WILL LOVE IT ༻

The Needs of the Heart is likely to resonate with those who enjoy reflective nonfiction that asks them to examine both their inner lives and their relationship with the larger world. Anderson's interest in the emotional spectrum makes the book particularly relevant to readers who appreciate self-examination but also want that reflection connected to questions about community and society.

 

It may also speak to readers drawn to philosophy centered on common human concerns rather than one particular demographic experience. Anderson explicitly frames his ideas around principles he believes can matter across racial, religious, ethnic, and demographic differences. Those interested in considering how individual character and collective responsibility might intersect will find that question at the heart of the book.

 

༺ ABOUT THE AUTHOR ༻

Hello, my name is Phillip Anderson. I am a young Author from New York City. My love for writing started when I was 16 years old when I was writing in my journals rather than thinking about publishing a book as a professional Author. I graduated high school in 2014 and later in that year was accepted into Morehouse College where I would graduate with a Bachelors degree in Kinesiology. 

 

However, It wasn't until I was in grad school where my passion for writing truly took hold. After completing the first year of my 2 year master's program, I dropped out of the program to pursue my passion of writing. A year and a half later, I would go on to complete and publish my first book titled The needs of the Heart in 2020 with the intent to pursue writing as a full time endeavor.

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༺ LAST WORD ༻

 

One of the more challenging ideas behind The Needs of the Heart is that improving the world and improving ourselves cannot be treated as entirely separate projects. Anderson begins with social conditions that can make an individual feel powerless, then redirects attention toward the emotional and philosophical territory where a person can still examine choices, principles, and relationships with others.

 

That makes this a book centered less on escaping difficult realities than on considering how human beings might respond to them. Its questions reach from the private life of the individual to the kind of world inherited by future generations, giving readers an opportunity to consider what the needs of the heart might demand not only from society, but from themselves.

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Grief does not follow a single set of rules in Holes in the Somewhere. It can emerge through a mysterious wall, accompany strangers confronting a fungal pandemic, or sit beside college students preparing for the extinction of the Sun. Richard R. Brown gathers those unsettling possibilities around something considerably more personal: his own experience of grief and loss following his father’s death from cancer. The result is a collection where speculative fiction and horror provide unusual shapes for recognizably human fears, losses, and impossible decisions—and where the distance between the normal and paranormal can become disturbingly thin.

Holes in the Somewhere

by Richard R. Brown

Genre: Speculative Fiction, Horror Stories

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Holes In The Somewhere is a collection of short works, anchored by a personal memoir of the author's own experience with grief and loss after the passing of his father from cancer, by speculative fiction author Richard R. Brown.

A single mother encounters insanity in the worst possible person; an estranged parent loses his reunited family to a mysterious bathroom wall; a group of strangers come together to fight a fungal pandemic; college students prepare for the extinction of the Sun... these are a few of the challenges faced by the desperate characters in Holes In The Somewhere. The choices they make, the dilemmas they wrestle with, all have very supernatural consequences, but are felt with very human emotions.

These stories will tug at strings your heart thought were too well-hidden for anyone to know about, and cause the mind to probe the gray areas between wrong and right. Between normal and paranormal. Behind what's real and only to the side of what's unreal. A perfect mix of quick, unsettling reads, and longer, heart-wrenching escapes.

What readers are saying:

"The debut is speculative fiction in form: weird, unsettling, occasionally cosmic. But it reads less like a genre exercise than like grief that has been given permission to take unusual shapes." - Justine Castellon, Author/Reviewer

"I guarantee there is a 'gotcha' story in there for just about anybody, and if you don't find at least one that bothers you just as you're about to fall asleep, you're made of sterner stuff than I am." - Kenneth Crist, editor-in-chief, Black Petals Magazine

“These stories are weird and creepy and heart-wrenching in all the best ways. If you enjoy fiction that makes you question everything and wrecks you emotionally, this is for you!” – Valerie S., 5 star Amazon Review

Holes in the Somewhere uses speculative situations to approach emotions that are considerably less imaginary. A mysterious bathroom wall, an approaching solar catastrophe, and a fungal pandemic may belong to horror and speculative fiction, but the people facing them are still negotiating grief, fractured families, fear, responsibility, and choices without comfortable answers.

The inclusion of Brown’s personal memoir gives that approach additional context. Rather than keeping lived loss separate from the collection’s stranger stories, the book places the author’s experience following his father’s death alongside fictional characters confronting their own versions of disappearance, upheaval, and mortality. That combination makes the collection especially interesting for readers who appreciate horror that uses the impossible to examine emotions that are entirely real.

This collection should be particularly interesting to readers who prefer horror that unsettles emotionally as well as supernaturally. Its scenarios range from intimate family terror to large-scale catastrophe, allowing the stories to approach dread from different directions rather than relying on a single kind of monster or threat.

Short-fiction readers who enjoy moving between quick disturbances and longer narratives will also find that variety built into the collection. The recurring attention to grief and difficult moral territory makes it a stronger match for those who like speculative fiction that leaves uncomfortable questions behind after the immediate danger has passed.

Excerpt from ‘A Hole In The Somewhere’, a story in ‘Holes In The Somewhere’

When he hung up, he saw the answer to his problem of Tony’s dead body. He picked Tony up and wrestled him into the wall where the blurred patch was. Pieces seemed to fall off into the wall, but that just made Tony easier to handle. He just had time to change into a clean shirt and slide the gun back under the couch before there came a soft knock on his door.

Jack wiped sweat from his forehead and opened the door. Before him stood the same little girl who held his hand twenty years ago and asked him, “Why, Daddy?” about absolutely everything. Only now she had green eyes when she used to have brown eyes.

“Mommy says you’re my grandpa,” she said to him now. “Why is your door all bubbly and brown, Grandpa?”

Jack looked up and past his granddaughter at Mary, who was smiling anxiously at both of them.

“Hi, Daddy,” was all she said. It was enough.

Jack burst into tears, picked his granddaughter up in his left arm, and trotted down the steps to embrace his daughter with his right arm. They hugged for several moments before a muffled, “Why are you crying, Grandpa?” came from his shoulder.

Jack laughed, and put her down on the ground again. “I’m crying because I’m so happy to meet you!” he said.

“Oh. My name’s Emily, but you can call me Emmy. Why do you live by the train tracks, Grandpa?”

“Actually, Dad, I’m curious, too. This address came up as ‘Condemned.’ How is it that you live here?”

Jack led them inside and told them his story, forcing himself to be honest about his decisions and his reasons. Recent events disappeared from his awareness as the last twenty years enveloped him. He told them about his depression and anger from the divorce, and how losing everything seduced him into giving up everything. He hadn’t wanted to try to replace what he had lost because that would be admitting that he had lost it to begin with. After a few minutes, Emmy wanted to explore, so Jack gave a tour while he talked. It only took a minute.

In the bathroom, Mary shot him an alarmed look when she saw the cracked mirror. “Oh! It was like that when I found this place. I got a new one last month. I just forgot about hanging it up.”

“Let’s do it now, Daddy. I don’t like that crack, for some reason. It creeps me out.”

They hung the new mirror while Jack entertained them with stories from his train-hopping days. Mary leaned the cracked mirror against the wall below the new one, stood up, and proclaimed, “Much better!”

Jack and Mary returned to the main room. Mary told Jack about her short, failed marriage to Emmy’s father, her job at CyberSolutions, and her academic career. “Where is Emmy?” Jack wondered aloud.

“She was fascinated by that old mirror, so I leaned it against the wall so she could look at it.”

Jack felt a moment of unease at this, but had no ready explanation for it, so he let it go. “Are you hungry, kiddo?” he asked Mary. “I’m sure Emmy probably is. Want to go to lunch?”

“Sure, but I’m pay-“Mary was interrupted by a tremendous whipcrack coming from the bathroom.

The gun!, Jack thought, and leapt to his feet as Mary called out, “Emmy?  Emmy!” They both ran into the bathroom, only to find it empty. There was nothing to hide behind, but Mary made a close search of every corner, anyway, all the while calling her daughter’s name, “Emmy! Emmeeee!”

Richard R. Brown is a legally-blind author of speculative fiction, horror, and thrillers. He writes from experience, having lived through paranormal events, alien attacks, and cosmic horrors -- at least, in his mind and in the books he listens to. He and his Guide Dog live in the Pacific Northwest. Richard is between Guide Dogs at the moment as Edison retired last summer. Edison was at Richard's side through every story in his book. Richard has no such guidance for his current novel, but will likely have one for editing help.

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Enter the Holes in the Somewhere Giveaway Here

The title Holes in the Somewhere suits a collection concerned with the places where ordinary explanations stop working. Brown’s characters encounter impossible intrusions into recognizable lives, but the emotional consequences remain grounded in things people understand all too well: losing someone, recovering a relationship, confronting mortality, and wondering which choice can still be called right when every option carries a cost.

That connection between grief and the uncanny may be the collection’s most intriguing proposition. Horror can give fear a monster, a pandemic, a cosmic catastrophe, or even a hole where no hole should exist. Grief is harder to contain. Here, the strange things lurking around the edges of reality offer another way to look directly at it.

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Ginny Carmichael’s road trip begins as an act of escape, but Second Chance Highway is interested in what happens after physical distance has been created between a woman and the life that has harmed her. Traveling with her baby daughter, Ginny encounters people who offer kindness without demanding anything in return, while the road steadily carries her toward an estranged mother and wounds that cannot be left behind simply by crossing state lines. Lori Keesey’s sequel to Always Think of Me places faith, forgiveness, and restoration alongside the practical courage required to begin again, turning the highway itself into part of Ginny’s reckoning with what freedom might actually mean.

Second Chance Highway

A Sequel

Fantasy / Action & Adventure / Christian

Date Published: June 9, 2026

Publisher: Clay Bridges Publishing

Sometimes, the second chance we truly need is the one we give ourselves.

Ginny Carmichael feels trapped in her abusive relationship until an otherworldly visit ignites her determination to break free. With her baby daughter in tow, she embarks on a courageous road trip that not only takes her away from danger but also leads her to unexpected kindness, genuine connections, and profound forgiveness. 

Along the way, she meets a compassionate waitress, a spirited aunt, and ultimately her estranged mother, who may hold the key to her healing. As Ginny approaches her destination—and the truth about her worth—she discovers that escape was never the destination. Wholeness was. 

Second Chance Highway is a poignant tale of faith, friendship, and the path to restoration and redemption, and is the sequel to the award-winning Always Think of Me.

Second Chance Highway centers its story on an important distinction: getting away from danger and recovering from it are not the same thing. Ginny’s decision to leave is only the beginning. The people she encounters on the road—a waitress, an aunt, and eventually the mother from whom she has been separated—become part of a much more difficult process involving trust, forgiveness, and the rebuilding of her sense of worth.

The supernatural element also gives Ginny’s departure an unusual starting point without removing the human work that follows. Her journey still depends on choices, relationships, and a willingness to confront painful family history. Readers interested in faith-centered fiction that treats restoration as a process rather than a single dramatic moment may find that emphasis especially meaningful.

This sequel may appeal most to readers who want character-driven Christian fiction concerned with recovery, family relationships, and the difficult work of forgiving without pretending that harm never occurred. Ginny’s journey combines a literal road trip with a return to unresolved relationships, giving the story room for both outward movement and inward change.

Those who have already read Always Think of Me can continue Ginny’s story here, while readers drawn to women rebuilding their lives after controlling relationships may connect with the book’s focus on agency, motherhood, faith, and learning to accept genuine kindness after living with fear.

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The most significant distance Ginny travels in Second Chance Highway is not measured by the miles between her old life and her destination. Leaving gives her the opportunity to survive; the harder question is what she will build once she is no longer organizing every decision around fear. That distinction gives the novel a more thoughtful definition of a second chance than simply starting over somewhere new.

Ginny’s encounters along the road also suggest that restoration can arrive through unexpected people as readily as through long-awaited reconciliations. Her destination matters, but so do the moments that gradually challenge what she has learned to believe about herself. In that sense, the highway is less an escape route than the place where Ginny begins deciding what she will carry forward—and what she is finally ready to leave behind.

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